TICKETS ON SALE NOW
“It’s no secret that great art comes from the margins. From those who are either pushed to create from inner forces, or who create to show they deserve to be recognized. Los Angeles-based street singer, guitarist, and roots music revolutionary Sunny War has always been an outsider, always felt the drive to define her place in the world through music and songwriting.
As a young black girl growing up in Nashville, she searched for her own roots, looking first to the blues she heard from her mother’s boyfriend, and learning from a local guitarist. Moving to Los Angeles in her teens, she searched for herself in the LA punk scene, playing house shows with FIDLAR, and shoplifting DVDs from big box stores to trade at Amoeba Records for 80s punk albums. But here too she found herself on the outside, working to bridge her foundation in country blues and American roots guitar traditions with the punk scene she called home. She first made her name with this work, bringing a wickedly virtuosic touch on the fingerstyle guitar that sprang from her own self-discoveries on the instrument. But her restless spirit, a byproduct of growing up semi-nomadic with a single mother, led her to Venice Beach, California, where she’s been grinding the pavement for some years now, making a name for her prodigious guitar work and incisive songwriting, which touches on everything from police violence to alcoholism to love found and lost.
Her new album, With The Sun, out February 2, 2018 on Hen House Studios, is the culmination of years of burning curiosity as an artist, the result of many wandered paths to find some new way to speak her heart. For the first time, she’s writing songs first and crafting the guitar work second, focusing on her own poetry and trying to tell her own story. She’s an outsider artist in the truest sense, living on the margins of the establishment and fueled only by her own creative genius.”
|
Within a culture that severely under represents and undervalues the non-conforming female voice unwilling to bend to trends and commercial viability, Tarica June is unapologetically unique. The Howard Law School-educated hip-hop artist has a celebrated skill set, with a dossier that flaunts high praises from the likes of seminal hip-hop artist Chuck D (Public Enemy) and M-1 (Dead Prez). With an effortless flow that sits haughtily at the nexus of diverse influences such as Sonia Sanchez, Yasiin Bey, and T.I., it’s easy to see why HipHopDX called her debut mixtape “one of the most important projects in recent Hip Hop memory.” The self-directed video for her politically-charged single “But Anyway” went viral in the Spring of 2016, garnering over one million views on Facebook in less than 3 days. This sparked coverage from numerous national outlets including NPR and ELLE.com, bringing national attention to issues related to the gentrification of Washington DC (her hometown).
Tarica June has performed around the country, incorporating traditional hip-hop, and elements of folk music (guitar), and spoken-word/poetry into her shows. She has been featured at numerous festivals and conferences including SXSW (TX), the Smithsonian Institute’s ‘America Now’ Fest (DC), University of Maryland’s NextNow Fest (MD), Can-A-Sista-Rock-A-Mic (DC), and the B-Girl-Be Hip-Hop Festival (MN). Tarica June’s EP ‘Stream of Consciousness’ is available online for free download, and her full-length album ‘Dear Hip-Hop’ dropped in the fall of 2017. |
|
Oh He Dead is a smoky, folk-soul rock band from Washington, DC. Led by the stirringly passionate harmonies of Cynthia Johnson and Andrew Valenti, Oh He Dead mixes R&B influences with poignant lyrics to move both your soul and your feet.
|
